how to learn techniques for them
what's here
Here are some "games" for Classic skis
I call them "games" because they involve relating to other
people.
For moves you can enjoy on your own, see "fun".
For a whole other way to experience skiing, there is
taking your skis into snow-covered areas other than an organized cross
country skiing center -- exploring the backcountry on skis. But
that's a whole other set of challenges and hazards and risks -- which
require a different set of skills, knowledge, and intelligent
strategies -- completely outside the scope of this website.
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[ more to be added ]
This can be lots of fun. With a wider trail, you can ski and
talk -- like running and talking, and walking and talking.
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Achieve Correct Technique
As you might guess from what else is in here, I'm not much interested
in the idea of "correct" technique. I think skiing
technique is about having a range of choices, with different styles good
for different skiers at different times with different goals.
But lots of skiers do think about "correct" style, so I'll say something about it.
My guess is that what many skiers are looking for in "correct"
technique is a pattern of movement that:
- looks visibly good to others
- follows some purity of concept
- shows other motions to be inferior
- is not easily imitated by athletic beginners
If your goal is something like that, here are my suggestions:
Learn the points -- but also learn to exaggerate
them as needed to achieve the desired impact on your intended
audience. (Often, exaggerating is a helpful step
on the way to learning.)
- The theme to latch onto for purity of concept is:
"getting the most out every
stroke"
- - strong follow-through of
arms
- - follow-through and extension of legs
- - strong side-to-side weight transfer
- - long glide, above all
Note that this theme and pattern is not the fastest or most
efficient style. (though if you say it is in a confident
tone of voice, lots of your audience will believe it.)
This style both is visibly dramatic and comes with a
"pure" rationale for both knowing and explaining why
its pattern is "right" and any deviation is
"wrong".
- Solid balance on one ski is required for the weight transfer and
long glide.
That should take care of the "problem" of easy
imitation by athletic beginners.
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Show off -- entertain -- Ski with flair
Some approaches to skiing for an "audience":
see "getting the most out every
stroke" under Achieve Correct
Technique.
So fluid that people aren't sure how you could be generating any
grip or push for moving forward -- see Striding
Smooth.
Offset pole timing
is interesting because people sense there's something different about
your rhythm, but they're not sure exactly what it is.
Even the best-executed single technique is going to get boring, so
keep your audience entertained switching every few seconds:
Switch techniques: classic stride to double pole to kick
double pole
Switch timing: offset pole timing to synchronized to
"linked kick single pole"
Switch styles: exaggerated to smooth to exaggerated
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Of course to start racing you don't need any special techniques at
all.
- The key step is to choose your first race and show up and try to
restrain your exuberance and speed enough so that you actually
finish.
- And don't forget to have fun.
For "serious" racing, the pre-requisites for speed and endurance
are:
Not that you should always be performing every point, but that you
need to have the ability to perform any of them whenever you
want.
The key differences between "serious" racing and sound non-racing
techniques are:
- Optimal technique for speed and endurance requires compromise.
Conceptual purity of form is not optimal. What looks good is
not optimal for speed. What feels good is not optimal. No single
principle is optimal for speed.
Classic skiing technique is too complicated for
that. It's about playing with trade-offs among multiple
factors. And at the higher competitive levels it's about
measuring.
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